Day after day
This project brings together works that represent the experience of time. Most of them are based on process—long, monotonous, and painstaking work. Some works, such as the textile installation "Rainy Season," are in constant development, expanding on a daily basis.
"Rainy Season/Deep Rest" is a work consisting of long knitted panels reminiscent of waterfalls, rivers, or roads. The main themes of this work are knitting as an endless activity—an excuse not to leave the house, not to leave the safe space. Time becoming matter. Long and monotonous women's work. Knitting as an endless and non-functional, contemplative practice that fills space and, at the same time, creates it.

2025
The 94-piece "Enchanted Forest" series replicates the transformations of natural forms (branches, mushrooms, insects) in the artist's imagination. The viewer can observe the birth of an image. Mutable and unstable, it fluctuates, shifts from one form to another, and never fully forms. The work is the sum of all its variations. The installation can be placed on a podium (or floor) or hung on a wall.

2025
"Stitches" is a 330 x 150 cm canvas covered entirely in tiny vertical stitches. The hand-embroidered piece comprises approximately 84,000 stitches, one of which is slanted at an arbitrary angle, seemingly out of place. Each stitch represents a distinct individual. It is a reflection on the individual as a unit of humanity. On the possibility of being alone among "the same kind." To be among people. To be a separate entity, on its own, and yet to be part of the multitude. In this work, I reflect on the individual's ability to be visible, to stand apart from the crowd, and to remain oneself.

2023
The name of this graphic series indicates the time period during which it was made. It took several months of continuous painstaking painting to create the individual canvases. On the surface of the canvas, black and white cells alternate in different sequences, forming intricate checkerboard patterns. This is filling in time, reasoning about the usefulness and uselessness of the artist's work, weighing the negative and positive aspects.

The series is made on four canvases, measuring 150x150 cm, using liners of different thicknesses.

2018-2020